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DTSTART;TZID=America/New_York:20230528T180000
DTEND;TZID=America/New_York:20230528T180000
DTSTAMP:20260603T155522
CREATED:20230511T151554Z
LAST-MODIFIED:20230511T151554Z
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SUMMARY:Finding Nemo – 20th Anniversary Screening
DESCRIPTION:Swim on down to The Cabot to catch an animated classic – Finding Nemo turns 20 this year and is back on our big screen! \nThe overly cautious clownfish Marlin is very protective of his son Nemo\, who is beginning to discover his spirit of adventure and starts to rebel against his father. When Nemo swims too close to the ocean surface to prove himself in front of his friends\, he is caught by a human diver and Marlin sets off to find him in a panic. Nemo ends up in a saltwater fish tank in a dentist’s office with other fish who are plotting their escape and return to the ocean. Meanwhile\, Marlin runs into Dory\, a blue reef fish with a very short memory\, who decides to accompany Marlin on his ocean-wide quest to find his missing son. \nRated PG. Run time 1 hour 45 minutes. \n© 2023 Twentieth Century Fox Film Corporation and its related entities. All rights reserved. Not to be sold or distributed to the general public.
URL:https://bevmain.org/event/finding-nemo-20th-anniversary-screening/
LOCATION:The Cabot\, 286 Cabot Street\, Beverly\, MA\, 01915\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230527T200000
DTEND;TZID=America/New_York:20230527T200000
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SUMMARY:Jaws
DESCRIPTION:After a brief hiatus\, Jaws returns to The Cabot Memorial Day weekend! \nThe body of a young woman washes up on the shores of Amity\, a beach resort island off the coast of Long Island. The corpse bears all the signs of a shark attack\, prompting new police chief Brody (Roy Scheider) to close the town’s beaches just as the summer tourist season begins to pick up. The mayor overrules Brody\, fearing a loss of tourist revenue would cripple the town. As shark sightings and attacks continue\, Ichthyologist Matt Hooper (Richard Dreyfuss) is called in from the mainland for expertise\, while a bounty placed on the shark catches the interest of local grizzled fisherman Quint (Robert Shaw). Soon\, Brody\, Hooper and Quint find themselves on the open ocean to engage in an epic battle of man vs. nature. \nRun time approx. 2 hours.
URL:https://bevmain.org/event/jaws-2/
LOCATION:The Cabot\, 286 Cabot Street\, Beverly\, MA\, 01915\, United States
CATEGORIES:Community Events
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230527T150000
DTEND;TZID=America/New_York:20230527T150000
DTSTAMP:20260603T155522
CREATED:20230511T151459Z
LAST-MODIFIED:20230511T151459Z
UID:10018560-1685199600-1685199600@bevmain.org
SUMMARY:Jaws
DESCRIPTION:After a brief hiatus\, Jaws returns to The Cabot Memorial Day weekend! \nThe body of a young woman washes up on the shores of Amity\, a beach resort island off the coast of Long Island. The corpse bears all the signs of a shark attack\, prompting new police chief Brody (Roy Scheider) to close the town’s beaches just as the summer tourist season begins to pick up. The mayor overrules Brody\, fearing a loss of tourist revenue would cripple the town. As shark sightings and attacks continue\, Ichthyologist Matt Hooper (Richard Dreyfuss) is called in from the mainland for expertise\, while a bounty placed on the shark catches the interest of local grizzled fisherman Quint (Robert Shaw). Soon\, Brody\, Hooper and Quint find themselves on the open ocean to engage in an epic battle of man vs. nature. \nRun time approx. 2 hours.
URL:https://bevmain.org/event/jaws/
LOCATION:The Cabot\, 286 Cabot Street\, Beverly\, MA\, 01915\, United States
CATEGORIES:Community Events
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230525T183000
DTEND;TZID=America/New_York:20230525T183000
DTSTAMP:20260603T155522
CREATED:20230511T151440Z
LAST-MODIFIED:20230511T151440Z
UID:10018559-1685039400-1685039400@bevmain.org
SUMMARY:What’s The Buzz About Home Energy?
DESCRIPTION:LEARN ABOUT OUR SPEAKERS: https://thecabot.org/whats-the-buzz-about-home-energy-speakers \nThanks to the generous sponsorship of The Leading Ladies\, the Cabot Theater and Green Beverly will host their second annual free event to engage North Shore communities in action-oriented conversation around sustainable home energy. Anchored by lively and engaging presentations from three teams of local experts and enthusiasts\, the evening will include musical performances by Beverly’s own Kev G Mor\, childcare\, meals\, prizes\, and complementary filtered water. \nAt this family-friendly event\, Change is Simple will host activities for school-aged children\, with support from the Salem High School early education program. Complimentary meals will be provided by Salem nonprofit Root\, in addition to standard concessions available for purchase. Filtered drinking water will be available at no charge to fill your own clean reusable drinking containers\, courtesy of The Cabot for this special event. \nGreen Beverly has brought together local energy-focused individuals and organizations to share insight into what we can do in our daily lives to reduce energy consumption\, learn about the latest energy incentives and products\, and make the most of renewable resources. Inclusive content will provide high-impact actions accessible to both renters and homeowners. \nTeam-led topics include: \nReduce. Our energy-consuming lifestyles are not sustainable. Beverly residences produce 27% of the City’s greenhouse gas emissions—we must pay closer attention to how our living spaces use energy. Whether you live in a home or apartment\, the Reduce Team will share tips on how to manage your life to save time and money\, and lower your home’s carbon output. \nReplace. As our homes’ heating and cooling systems\, hot water heaters\, and appliances age\, there is an opportunity to replace them with more energy efficient systems. The Replace team will guide us through the complex factors involved with energy product selection\, including the wild world of policies\, incentives\, and rebates. No matter your price point\, there’s something you can do to lower your home’s utility bill\, carbon output and ease the burden on our community and planet. \nRenew. Energy is neither created nor destroyed… right? The Renew team will share options that we have as both renters and homeowners to shift our power (electricity) to clean/renewable energy\, hence removing fossil fuels from electricity generation. Hear how various financial incentives can help with the transition to clean/renewable energy as we continue to adapt to a changing climate. \nABOUT GREEN BEVERLY\nA community hub for sustainable living\, Green Beverly is committed to helping local residents and businesses live more sustainably through actionable information\, inspiration\, and education in order to support our region’s climate resilience. GreenBeverly.org \nThanks to our partner LEADING LADIES! leadingladiesvote.org
URL:https://bevmain.org/event/whats-the-buzz-about-home-energy/
LOCATION:The Cabot\, 286 Cabot Street\, Beverly\, MA\, 01915\, United States
CATEGORIES:Community Events
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230522T190000
DTEND;TZID=America/New_York:20230522T190000
DTSTAMP:20260603T155522
CREATED:20230511T151345Z
LAST-MODIFIED:20230511T151345Z
UID:10018565-1684782000-1684782000@bevmain.org
SUMMARY:A Century on Sohier Road
DESCRIPTION:A student film created by seniors at Beverly High School \nCheck out a free documentary screening of “A Century on Sohier Road”. A student film created by seniors at Beverly High School. Learn about the past of the iconic Beverly Building\, what’s in store for its future\, and what it meant to the people that walked through its halls. \nReminders!\n– Arrival: We recommend arriving early to allow time for everyone to find seats and so you don’t miss the start of the movie. Doors and concession counter open at 6:30 PM.\n– No Re-entry: There is no re-entry once you have entered The Cabot.
URL:https://bevmain.org/event/a-century-on-sohier-road/
LOCATION:The Cabot\, 286 Cabot Street\, Beverly\, MA\, 01915\, United States
CATEGORIES:Community Events
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230518T200000
DTEND;TZID=America/New_York:20230518T200000
DTSTAMP:20260603T155522
CREATED:20230511T151300Z
LAST-MODIFIED:20230511T151300Z
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SUMMARY:Piff the Magic Dragon
DESCRIPTION:“Piff is the best. A true original.” – David Copperfield \nSince breaking out on America’s Got Talent in 2015\, Piff the Magic Dragon has won the heart of America through his Vegas residency\, network television appearances and non-stop touring. \nFor the past five years\, Piff has headlined the iconic Flamingo Hotel and Casino in the heart of the Las Vegas strip\, with over 250 shows a year in the Piff the Magic Dragon Theatre. \nIn 2020\, Piff was crowned the winner of TBS’ Tournament of Laughs\, triumphing over his heroes Jeff Ross\, Natasha Leggero and Judah Friedlander. \nIn 2019\, he was voted one of Variety’s Top Ten Comics to Watch and scooped Best Comedian\, Best Magician and Best Headliner at the Best of Las Vegas Awards. \nBefore arriving in Las Vegas\, Piff became a viral sensation on Penn & Teller: Fool Us\, had eight sell out seasons at the Edinburgh Fringe\, two in the West End and opened for Mumford & Sons\, playing to 150\,000 people on tour.
URL:https://bevmain.org/event/piff-the-magic-dragon/
LOCATION:The Cabot\, 286 Cabot Street\, Beverly\, MA\, 01915\, United States
CATEGORIES:Comedy
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230514T190000
DTEND;TZID=America/New_York:20230514T210000
DTSTAMP:20260603T155522
CREATED:20230511T151239Z
LAST-MODIFIED:20230511T151239Z
UID:10018557-1684090800-1684098000@bevmain.org
SUMMARY:Grease – 45th Anniversary Screening
DESCRIPTION:The kids are cool\, the cars are hot\, and the tunes are always rockin’ and rollin’ when one of the most beloved comedies of all time comes back to theaters to celebrate its 45th anniversary! Good girl Sandy (Olivia Newton-John) is new to school\, but ready to join the Pink Ladies. Bad boy Danny (John Travolta)\, the leader of the T-Birds\, has just discovered their summer lovin’ wasn’t just a passing fling when they’re reunited at Rydell High School. \nRated PG. Run time approx. 2 hours.
URL:https://bevmain.org/event/grease-45th-anniversary-screening-2/
LOCATION:The Cabot\, 286 Cabot Street\, Beverly\, MA\, 01915\, United States
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230514T160000
DTEND;TZID=America/New_York:20230514T180000
DTSTAMP:20260603T155522
CREATED:20230511T151158Z
LAST-MODIFIED:20230511T151158Z
UID:10018556-1684080000-1684087200@bevmain.org
SUMMARY:Grease – 45th Anniversary Screening
DESCRIPTION:The kids are cool\, the cars are hot\, and the tunes are always rockin’ and rollin’ when one of the most beloved comedies of all time comes back to theaters to celebrate its 45th anniversary! Good girl Sandy (Olivia Newton-John) is new to school\, but ready to join the Pink Ladies. Bad boy Danny (John Travolta)\, the leader of the T-Birds\, has just discovered their summer lovin’ wasn’t just a passing fling when they’re reunited at Rydell High School. \nRated PG. Run time approx. 2 hours.
URL:https://bevmain.org/event/grease-45th-anniversary-screening/
LOCATION:The Cabot\, 286 Cabot Street\, Beverly\, MA\, 01915\, United States
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230513T200000
DTEND;TZID=America/New_York:20230513T200000
DTSTAMP:20260603T155522
CREATED:20230511T141541Z
LAST-MODIFIED:20230511T141541Z
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SUMMARY:Puddles Pity Party
DESCRIPTION:Puddles Pity Party\, the 7-foot sad clown whose golden voice is comparable to rock legends like Tom Jones and Freddie Mercury\, has amassed nearly 900K YouTube subscribers and performed sold out shows all over the globe including The Kennedy Center in D.C.\, San Francisco’s Palace of Fine Arts\, London’s Soho Theatre and a residency at Caesars Palace in Las Vegas. You may recognize him as a finalist on Season 12 of America’s Got Talent and on the 2020 season of AGT The Champions\, as well as his viral video collaborations with Postmodern Jukebox. Deftly combining melancholia with the absurd\, Puddles has received endorsements and accolades from musical comedy legends like Eric Idle\, Jack Black\, Paul Reubens\, Michael McKean\, Drew Carey and Weird Al Yankovic. \nPuddles had an action-packed 2022\, with a guest appearance on the season four finale of ABC’s The Conners and performing a duet with the iconic Eric Idle on “Homeward Bound: A GRAMMY Salute to the Songs of Paul Simon” filmed for CBS. He even landed the coveted John Lewis Holiday advert in the UK with a cover of “All the Small Things”. He also embarked on three different tours\, one with Piff the Magic Dragon\, one with Tenacious D and one featuring Dave Hill which included a very special guest appearance by Leslie Jordan in his last live on-stage performance. Puddles also enjoyed touring the Mediterranean for four weeks as a feature performer on Virgin Voyages cruise line. That’s a lot of Frequent Cryer Miles! \nEven during the pandemic with touring cancelled\, the “Pagliacci by way of Pee-Wee Herman and David Lynch” stayed busy\, producing 14 episodes of his “Still Sequestered” stream show which featured such esteemed and varied guests as Penn Jillette\, Michael Stipe\, Weird Al\, Michael Des Barres\, Cait O’Riordan\, Neil Hamburger\, David Dastmalchian\, Mastodon\, Jack Black\, Tim Heidecker\, Steve Agee\, Mark Ryden and more. Puddles also came out with his own blend of coffee for Batdorf & Bronson\, recorded a new album titled “Songs That Got Me Through the Plague” and launched the first issue of his satirical “Puddles Pity Party Informational Magazine”. \n“It seems like a parody. But when Puddles opens his mouth to sing\, it’s beautiful. Operatic.” – The Boston Globe \n“Fantastically brilliant…originality at its best.” – Simon Cowell \n“His special effect is a textured voice laced with melancholy…what makes him transcend the trope is his vulnerability.” – The New York Times \n“Wow…a perfect powerful avant-garde art piece…Genius.” – Penn Jillette \n“I love you\, Puddles.” – Jack Black \n“Clever and often hysterically funny… (Puddles) is ideally suited to songs popularized by belters old and new like Tom Jones\, Sia and Celine Dion\, all of which he performs with tear-jerking bravura…” – LA Weekly \n“What a voice he has. Brilliant man. Love him.” – Eric Idle \n“Puddles Pity Party is the damndest thing…If I could sing like that\, I’d never shut up.” – Michael McKean \n“I love him so much.” – Aaron Paul
URL:https://bevmain.org/event/puddles-pity-party/
LOCATION:The Cabot\, 286 Cabot Street\, Beverly\, MA\, 01915\, United States
CATEGORIES:Music/Concert
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230512T200000
DTEND;TZID=America/New_York:20230512T200000
DTSTAMP:20260603T155522
CREATED:20230504T195430Z
LAST-MODIFIED:20230504T195430Z
UID:10018180-1683921600-1683921600@bevmain.org
SUMMARY:DEAD SET Plays Dead Set
DESCRIPTION:One Epic Night of Music + Original Dead Guitars & Gear \nFans can expect two high energy sets of Grateful Dead music\, recreated from Fall 1980 live shows. If you were at the last show\, you know the band rips. Some all-star guests were put together for this voyage. Expect magic to happen on that stage! \nThis performance is a DANCE SHOW with G/A\, SRO and RESERVED SEATING areas. Dancing is allowed in seating areas but not in aisles due to fire safety regulations \nZACH NUGENT\nIt usually only takes one show to understand why Zach Nugent is one of the most sought after guitarists in the live music scene. Since touring as de-facto Garcia expert with Melvin Seals & JGB\, he continues to build his dedicated following\, putting together and leading multifaceted groups for special runs and festival appearances. Never one to shy away from new and challenging ideas\, his performances promise intensity and beauty in the delivery of the music that he’s built a reputation with. \nSUNSHINE GARCIA\nEver inventive in her drive to deliver songs from the heart that feel authentic to the core\, SUNSHINE (GARCIA) BECKER is a multi-talented musician and songwriter who has had much of her success in the Jam band genre of Rock & Roll music. She toured nationally with the Grateful Dead’s spin-off band Furthur\, and later with Melvin Seals (Jerry Garcia’s surviving organist) & JGB Band. Sunshine continues to perform with many Bay Area jam bands including Zigaboo Modeliste\, String Cheese Incident\, Mark Karan\, & Everyone Orchestra\, singing to sold out crowds wherever people come to dance\, celebrate and leave uplifted. \nVINNIE AMICO\n“Especially after Jim Loughlin returned to the band as a percussionist a few years later\, Vinnie was able to help create one of the most unique and powerful rhythm sections on the jam-band circuit.” “At times\, he has a gentle touch\, too\, helping guide moe.’s more Americana- and country-oriented songs and playing with moe.’s guitarist Al Schnier in their side-project Floodwood. That mixture of well-crafted songs and fierce improvisation has been one of moe.’s calling cards since their earliest days playing around the Capital Region.” – Relix co-Editor-in-Chief Mike Greenhaus
URL:https://bevmain.org/event/dead-set-plays-dead-set/
LOCATION:The Cabot\, 286 Cabot Street\, Beverly\, MA\, 01915\, United States
CATEGORIES:Music/Concert
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230505T200000
DTEND;TZID=America/New_York:20230505T230000
DTSTAMP:20260603T155522
CREATED:20230504T195224Z
LAST-MODIFIED:20230504T195224Z
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SUMMARY:The Wallflowers
DESCRIPTION:Rock ‘n’ roll is often hard to define\, or even to find\, in these fractured musical times. But to paraphrase an old saying\, you know it when you hear it. \nAnd you always hear it with the Wallflowers. For the past 30 years\, the Jakob Dylan-led act has stood as one of rock’s most dynamic and purposeful bands – a unit dedicated to and continually honing a sound that meshes timeless songwriting and storytelling with a hard-hitting and decidedly modern musical attack. That signature style has been present through the decades\, baked into the grooves of smash hits like 1996’s Bringing​ Down the Horse as well as more recent and exploratory fare like 2012’s Glad All Over​ ​. \nEven so\, in recent years\, Dylan – the Wallflowers’ founding singer\, songwriter and guitarist – has repeatedly stepped outside of his band\, first with a pair of more acoustic and rootsy records\, 2008’s Seeing​ Things and 2010’s Women​ + Country​\, and then with the 2018 film Echo​ in the Canyon and the accompanying soundtrack\, which saw him collaborate with a host of artists classic and contemporary\, from Neil Young and Eric Clapton to Beck and Fiona Apple. \nBut while it’s been nine long years since we’ve heard from the group with whom he first made his mark\, the Wallflowers are silent no more. And Dylan always knew they’d return. “The Wallflowers is much of my life’s work\,” he says simply. \nPlus\, he adds with a laugh\, “It’s pretty hard to get a good band name\, so if you have one\, keep it.” \nGood band name aside\, that life’s work continues with Exit​ Wounds​\, the brand-new Wallflowers studio offering. The collection marks the first new Wallflowers material since Glad​ All Over​. And while the wait has been long\, the much-anticipated record finds the band’s signature sound – lean\, potent and eminently entrancing – intact\, even as Dylan surrounds himself with a fresh cast of musicians. \nWhich\, the front man is quick to point out\, is not all that unusual. “The Wallflowers has always been a vehicle for me to make great rock ‘n’ roll records\,” he says. “And sometimes the lineup that makes the record transfers over into touring\, and sometimes it doesn’t. But my intention is always to make the Wallflowers record I want to make\, using the musicians I have beside me.” \nDylan’s vision has always been the core of the Wallflower’s music. How he chooses to express that vision\, however\, is what makes a song a Wallflowers song. “I usually just let the songs tell me what kind of arrangements they need\,” he says. “And if they’re asking for full-band electric arrangements\, then that’s what the Wallflowers provide. And I knew I wanted to make a full-band electric record this time out.” \nAnd made one he has\, with one special guest on board – Shelby Lynne\, who lends her voice to three of the album’s tracks. “I hadn’t met Shelby before\, but like most people\, I’ve been a fan of hers for quite some time\,” Dylan says. “She has one of those voices that’s very uncommon\, very unique\, very rare.” \nBut there was more to their duet than just a mutual appreciation. “You can have your favorite singer come in\, but it doesn’t mean you’ll have any connection – there has to be more than that\,” \nDylan continues. “And as soon as I heard Shelby sing\, I knew we had something.” \nThat “something” is present throughout Exit​ Wounds​\, which\, true to its title\, is an ode to people – individual and collective – that have\, to put it mildly\, been through some stuff. \n“I think everybody – no matter what side of the aisle you’re on – wherever we’re going to next\, we’re all taking a lot of exit wounds with us\,” Dylan says. “Nobody is the same as they were four years ago. That\, to me\, is what Exit​ Wounds signifies. And it’s not meant to be negative at all. It just means that wherever you’re headed\, even if it’s to a better place\, you leave people and things behind\, and you think about those people and those things and you carry them with you. Those are your exit wounds. And right now\, we’re all swimming in them.” \nTo be sure\, Exit​ Wounds is populated by scarred souls that “used to rumble\, used to roar\,” of “nobodies drinking flat beer\,” and those who’ve been “abandoned and locked out and pressed to the fire.” Throughout\, Dylan’s lyrics are specked with images of spears and swords and battle-worn flags being raised\, of wayward buses and battered ships\, riderless horses and lost planes. \nOf course\, ask Dylan what these songs are about\, and\, well\, like most practiced songwriters\, he’s not going to tell you. “I’m always a little cautious when people ask that\,” he says. “Not because it demystifies the songs\, but more because I think it’s belittling to the listener to have to be ‘told.’ I usually find that if you have to do that for someone\, you probably didn’t hit your mark.” \nThat said\, Dylan will at least acknowledge that the tracks on Exit​ Wounds reflect the tumultuous times in which they were written. “The climate affects how you feel\, which affects how you’re writing songs\, even if you’re not writing specifically about current events.” He turns to the late John Prine to illustrate his point. “If we still had John Prine\, I don’t think he’d be writing songs specifically about current affairs\, but he’d probably be writing songs about characters affected by current affairs. I think that’s mostly what I do.” \nAs far as Exit​ Wounds​\, Dylan continues\, “I’m the same writer I’ve always been – I was just also writing during a time when the world felt like it was falling apart. That changes the way you address even the simplest things\, because you have panic in your mind all the time. You have anxiety. And you also have hope. And it’s all in there.” \nWhen it came to realizing these new songs on record\, Dylan assembled a backing band of musical associates – “people that I’ve wanted to play with or that I have played with through the years” – and headed into the studio under the watchful eye of producer Butch Walker. \nAs for what Butch brought to the sessions? Beyond his pedigree as an in-demand producer and first-rate singer-songwriter and musician\, he’s also\, Dylan says\, “someone I’ve known a long time\, and that was important to me. Because you go through a lot when you make records\, to be honest. When you’re young\, you’re taught that if you don’t have conflict in the studio\, then you’re probably not doing anything good. But I don’t believe that. And so it was more of a joyful experience making this record.” \nThat joyful experience extended to Dylan’s interplay with his fellow musicians. “This was not the type of thing where it’s a rotating cast and you call a different drummer for each song\, or you pull out the Rolodex and ring the local sessions guys\,” Dylan says. “The record was made as a band – the five Wallflowers.” \nAnd to Dylan\, a band\, even one with a constantly shifting lineup\, is a sacred thing. “I’ve always been a believer in collaboration\,” he says\, “and no matter who I’m playing with I’ve always tried to include them very heavily. Otherwise\, why would they be around? Because I do think bands\, whether it’s a long standing group or just five people who are working together for that one stretch of time\, make better rock ‘n’ roll records than solo artists.” \nHe laughs. “I mean\, it’s not 100 percent true\, but it’s usually true.” \nAt the end of the day\, Dylan continues\, “It’s just exciting to have guys playing in a room together. That’s how you get the one plus one equals three factor\, you know? That’s the magic.” \nFor Dylan\, Exit​ Wounds is the next chapter in a career devoted to chasing – and capturing – that magic. “I came up in an era of great rock ‘n’ roll bands making great music\, and it’s the way I always imagined I would do it one day\,” he says. \n“So that’s always been my vision with the Wallflowers – to be a great rock ‘n’ roll band. And I’ve worked on it for 30 years now and I still have a lot to say. It’s something I started a long time ago\, and it’s far from finished.” \nWill Dailey is an acclaimed independent recording artist\, performer\, artist advocate and sonic survivor. His sound has been described as a Venn diagram of multiple genres with a rich vintage vibe that weaves through his authentic and energetic performances. There is an artistic DIY spirit fueling all of it\, bringingin the spins\, Billboard charts\, rave reviews and Boston and New England Music Awards. All inspiring famed rock journalist Dan Aquilante to call him “the real deal”. \nHe has shared the stage and studio with Eddie Vedder\, Willie Nelson\, Roger McGuinn\, Kay Hanley\, GLove\, Steve Earle\, and Tanya Donelly. In June of 2013 he was featured on a Stephen King/John Mellencamp project produced by T Bone Burnett called Ghost Brothers Of Darkland County and\,in that same year\, also released an original song he wrote inspired by Jack Kerouac’s Tristessa. Dailey has played at Farm Aid four times alongside Neil Young\, Willie Nelson\, Dave Matthews and John Mellencamp. His 2018 album\, Golden Walker\, hit #1 on Billboards Northeast Heat seekers. The Boston Herald called the album: “A new peak” and named it an Album of the Year. \nAs venues began opening their doors post pandemic in 2022\, Dailey launched his Double Elvis/iHeartRadio produced podcast\, Sound of Our Town-that became an Apple Podcast spotlight. SOOT is a travel podcast about the music in the next town you visit: Not only where to go to hear and experience the best music and why; but what sounds shaped that city or town’s culture and why live music is so vital to our current moment and our existence. \n2022 also saw the release of two new singles “Easy to Be Around” and “Christmas\, Of Course”-whichwere featured on stations across New England (WUMB\, WXRV\, WMYV) and named Song of the Week on Boston’s AAA station\, WERS. With 2023\, comes the upcoming premiere of Season 2 of Sound of Our Town. As Dailey hits the road heal so brings with him a song that only exists in recorded form on his merch table.“Cover of Clouds” will be with him exclusively via disc man and headphones on the merch table. A limited number of fans will be able to listen to the 7 minute opus dedicated to Joni Mitchell for $10 and leave their thoughts in a book that travels along with Dailey throughout 2023.
URL:https://bevmain.org/event/the-wallflowers/
LOCATION:The Cabot\, 286 Cabot Street\, Beverly\, MA\, 01915\, United States
CATEGORIES:Music/Concert
ATTACH;FMTTYPE=image/jpeg:https://bevmain.org/wp-content/uploads/2023/05/98F3D3EA-34BE-417C-96DA-D6B1EF9A49D0_4_5005_c.jpeg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230406T200000
DTEND;TZID=America/New_York:20230406T200000
DTSTAMP:20260603T155522
CREATED:20231017T172121Z
LAST-MODIFIED:20231017T172121Z
UID:10019739-1680811200-1680811200@bevmain.org
SUMMARY:Al Di Meola
DESCRIPTION:HE ELECTRIC YEARS \nLIMITED NUMBER OF VIP PACKAGES AVAILABLE DURING CHECKOUT. VIP PACKAGE INCLUDES MEET & GREET DURING SOUNDCHECK\nw/ FULL BAND:\nGumbi Ortiz – percussion\nLuis Alicea – drums\nElias Tona – bass\nCarmelo Medina – second guitar \nAl Di Meola\, a bonafide living Guitar Legend inducted into the Gallery of Greats is among the top guitarists of our time. His ongoing fascination with complex rhythmic syncopation combined with provocative lyrical melodies and sophisticated harmony has been at the heart of his music throughout a celebrated career that has spanned four decades and earned him critical accolades\, four gold albums\, two platinum albums\, more than six million in record sales worldwide\, five German gold albums\, and various awards including an Honorary Doctorate Degree from Berklee College of Music\, the Honorary Miles Davis Award presented by the Montreal Jazz Festival\, a BBC Lifetime Achievement Award presented by Sir George Martin in 2008\, Hungarian Foundation for Performing Arts Lyra Award\, and numerous Grammy nominations and awards. Al is the recipient of the most prestigious guitar awards ever given\, a total of 12 awards from Guitar Player Magazine polls and as a result\, was inducted into their Gallery of Greats. \nNot only a guitar hero\, but a prolific composer\, he has amassed over 30 albums as a leader while collaborating on a dozen or so others with the likes of the fusion supergroup Return to Forever(with Chick Corea\, Stanley Clarke and Lenny White)\, the celebrated acoustic Guitar Trio featuring fellow virtuosos John McLaughlin and Paco de Lucia\, and the Rite of Strings trio with bassist Clarke and violinist Jean-Luc Ponty. And while his dazzling technique on both acoustic and electric guitars has afforded him regal status among the hordes of fretboard fanatics who regularly flock to his concerts\, the depth of Di Meola’s writing along with the soulfulness and the inherent lyricism of his guitaristic expression have won him legions of fans worldwide beyond the guitar aficionado set. \nA pioneer of blending world music and jazz\, going back to early Latin-tinged fusion outings like 1976’s Land of the Midnight Sun\, 1977’s Elegant Gypsy and 1978’s Casino\, the guitar great continues to explore the rich influence of flamenco\, tango\, Middle Eastern\, Brazilian and African music with his World Sinfonia\, an ambitious pan-global group that he formed in 1991. Their exhilarating world music fusion has been documented on such releases as 2000’s The Grande Passion (featuring the Toronto Symphony Orchestra)\, 2007’s Live in London\, 2011’s Pursuit of Radical Rhapsody and the stunning 2012 DVD\, Morocco Fantasia (recorded at the Mawazine Festival in Rabat\, Morocco and featuring special guests Said Chraibi on oud\, Abdellah Meri on violin and Tari Ben Ali on percussion). \nGrowing up in Bergenfield\, NJ with the music of The Ventures and The Beatles\, Di Meola naturally gravitated to guitar as a youngster and by his early teens was already an accomplished player. Attaining such impressive skills at such a young age didn’t come easy for Al\, but rather was the result of focused dedication and intensive periods of woodshedding between his junior and senior years in high school. “I used to practice the guitar all night after school and once in college\, 6 – 8 hours per day” he told Down Beat. “And I was trying to find myself\, or find the kind of music that suited where I was going with the guitar.” \nHis earliest role models in jazz included guitarists Tal Farlow and Kenny Burrell. But when he discovered Larry Coryell\, whom Al would later dub “The Godfather of Fusion\,” he was taken with \nthe guitarist’s unprecedented blending of jazz\, blues and rock into one seamless vocabulary on the instrument. “I used to ride the bus from New Jersey to see him at little clubs in Greenwich Village\,” he recalls. “Wherever he was playing\, I’d be there.” In 1972\, Al enrolled at the Berklee College of Music in Boston and by the second semester there began playing in a fusion quartet led by keyboardist Barry Miles. When a gig tape of that band was later passed on to Chick Corea by a friend of Al’s in 1974\, the 19-year-old guitarist was tapped to join Corea’s fusion supergroup Return to Forever. After three landmark recordings with Return to Forever — 1974’s Where Have I Known You Before\, 1975’s Grammy Award winning No Mystery and 1976’s Romantic Warrior — the group disbanded and Al subsequently started up his career as a solo artist. His 1976 debut as a leader\, Land of the Midnight Sun\, was a blazing showcase of his signature chops and Latintinged compositions that featured a stellar cast including drummers Steve Gadd and Lenny White\, bassist Anthony Jackson and Jaco Pastorius\, keyboardists Jan Hammer\, Barry Miles and Chick Corea and percussionist Mingo Lewis. Over the course of six more albums with Columbia Records – Elegant Gypsy\, Casino\, Splendido Hotel\, Electric Rendezvous\, Tour De Force and Scenario – Al established himself as an influential force in contemporary music. 1980 marked the triumph of the acoustic guitar trio with Paco De Lucia and John McLaughlin. Their debut recording on Columbia Records\, Friday Night in San Francisco\, became a landmark recording that surpassed the four million mark in sales. The three virtuosos in the trio toured together from 1980 through 1983\, releasing the studio album Passion\, Grace & Fire in 1982. In 1995\, they reunited for a third recording\, Guitar Trio\, followed by another triumphant world tour. \nIn early 1996\, Di Meola formed a new trio with the violinist Jean-Luc Ponty and RTF bandmate Stanley Clarke called The Rite of Strings. Their self-titled debut was released in 1995. Di Meola subsequently recorded with the likes of opera superstar Luciano Pavarotti\, pop stars Paul Simon\, classical guitarist Manuel Barrueco\, and Italian pop star Pino Daniele. Over the course of his career\, he has also worked and recorded with Phil Collins\, Carlos Santana\, Steve Winwood\, Wayne Shorter\, Tony Williams\, Herbie Hancock\, Gonzalo Rubalcaba\, Milton Naciemento\, Egberto Gismonti\, Stevie Wonder\, Les Paul\, Jimmy Page\, Steve Vai\, Frank Zappa and Cuban pianist Gonzalo Rubalcaba. \nDi Meola’s 2013 release “All Your Life” recorded at Abbey Road Studios was an acoustic tour de force that had him revisiting the music of a seminal influence – The Beatles. “I really credit the Beatles for the reason why I play guitar\,” he says. “That was a major catalyst for me to want to learn music\, so their impact was pretty strong.” A virtual one-man show of virtuosity\, it features the guitar great interpreting 14familiar Beatles tunes in the stripped-down setting of strictly acoustic guitar. \nIn 2015 he released Elysium\, which finds the guitar great blending the lush tones of his nylon string Conde Hermanos acoustic prototype model and a ’71 Les Paul electric (his Return to Forever and Elegant Gypsy axe) in a collection of songs that are at once invigorating and alluring. “It represents a new composition phase for me\, whereby the writing became\, in a sense\, my therapy during a challenging personal transition in my life\,” he said. In the same year he was honored as the 22nd recipient of the Montreal Jazz Festival’s Miles Davis Award\, created in 1994 to honor a great international jazz musician for the entire body of his or her work and for that musician’s influence in regenerating the jazz idiom. \n2018 marked a new era for Al Di Meola: His first of six signed projects with German record label Ear Music\, “OPUS” was released in March. The Grammy award winning virtuoso says: “With Opus I wanted to further my compositional skills as I think that the evolution of this part of my persona has labelled me more composer/guitarist than guitarist/composer. For the first time in my life\, I have written music being happy\, I’m in a wonderful relationship with my wife\, I have a baby girl and a beautiful family that inspires me every day. I believe it shows in the music.” \nA retrospective of Al Di Meola’s nearly 50 year acclaimed career is expressed through his latest Ear Music release of March 2020 “ACROSS THE UNIVERSE” with his virtuosic arrangements and creative interpretations of 14 Beatles songs with a larger scale full production featuring orchestrations balanced with lavish acoustic arrangements and electric guitar. \nCurrent work includes an autobiography and a new solo guitar record of 13 brand new compositions. Al is also very proud to announce the upcoming April 2022 release of “Saturday Night in San Francisco” from the 1980 tour of the Guitar Trio with John McLaughlin and the late Paco de Lucia.
URL:https://bevmain.org/event/al-di-meola-3/
LOCATION:The Cabot\, 286 Cabot Street\, Beverly\, MA\, 01915\, United States
CATEGORIES:Music/Concert
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GEO:42.5514727;-70.878838
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230323T200000
DTEND;TZID=America/New_York:20230323T220000
DTSTAMP:20260603T155522
CREATED:20230124T194301Z
LAST-MODIFIED:20230124T194301Z
UID:10013163-1679601600-1679608800@bevmain.org
SUMMARY:Postmodern Jukebox
DESCRIPTION:Times change and trends come and go\, but — like a 1961 Jaguar XK-E — the classic sounds of the past only appreciate with age. Postmodern Jukebox’s Life In The Past Lane Concert Tour is a celebration of the greatest 20th century musical genres\, fused with the recognizable hits of our own modern era\, for the perfect patina of “vintage” and “modern.” As always\, we’ll be bringing the PMJ Universe to life with a cast full of today’s most exciting vocalists\, instrumentalists\, and tap dancers\, to bring you the top-shelf entertainment experience for which PMJ is known. Whether you’re a vinyl aficionado or a TikTok fashionista\, catch a ride with us for an unforgettable trip through 100 years of timeless music.
URL:https://bevmain.org/event/postmodern-jukebox/
LOCATION:The Cabot\, 286 Cabot Street\, Beverly\, MA\, 01915\, United States
GEO:42.5514727;-70.878838
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221218T120000
DTEND;TZID=America/New_York:20221218T134500
DTSTAMP:20260603T155522
CREATED:20221101T172236Z
LAST-MODIFIED:20221101T172236Z
UID:10012883-1671364800-1671371100@bevmain.org
SUMMARY:The Nutcracker
DESCRIPTION:A holiday delight for the whole family…\nAs the holiday season rapidly approaches\, North Atlantic Ballet welcomes back our annual telling of The Nutcracker. Artistic Director Lucy Warren-Whitman consistently brings the stage to life with her contemporary twist on Clara’s journey to The Land of Sweets. Audiences delight each year in new choreography\, guest appearances\, creative costumes\, and of course our local children’s cast dancing alongside NAB’s seasoned company dancers. \nThe holiday magic culminates in the appearances of Clara\, her wacky Uncle Drosselmeyer\, and her new friends from the Land of Sweets. The Sugarplum Fairy and her delicacies-in-waiting include crowd favorites like Miss Candy Cane\, the Dew Drop Fairy and of course Mother Ginger. With a little magic\, and plenty of humor\, North Atlantic Ballet’s The Nutcracker\, set to Tchaikovsky’s original score\, has something (including selfies) for every age\, making this a truly special family tradition. \nThe Cabot Theater \nFriday\, December 16 | 7 pm \nSaturday\, December 17 | 12 & 7 pm \nSunday\, December 18 | 12 pm \nTickets: $35-$55 \n***Performance running time is 1hr 45 min. with intermission.
URL:https://bevmain.org/event/the-nutcracker-7/
LOCATION:The Cabot\, 286 Cabot Street\, Beverly\, MA\, 01915\, United States
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Cabot 286 Cabot Street Beverly MA 01915 United States;X-APPLE-RADIUS=500;X-TITLE=286 Cabot Street:geo:-70.878838,42.5514727
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221217T190000
DTEND;TZID=America/New_York:20221217T204500
DTSTAMP:20260603T155522
CREATED:20221101T172203Z
LAST-MODIFIED:20221101T172203Z
UID:10012882-1671303600-1671309900@bevmain.org
SUMMARY:The Nutcracker
DESCRIPTION:A holiday delight for the whole family…\nAs the holiday season rapidly approaches\, North Atlantic Ballet welcomes back our annual telling of The Nutcracker. Artistic Director Lucy Warren-Whitman consistently brings the stage to life with her contemporary twist on Clara’s journey to The Land of Sweets. Audiences delight each year in new choreography\, guest appearances\, creative costumes\, and of course our local children’s cast dancing alongside NAB’s seasoned company dancers. \nThe holiday magic culminates in the appearances of Clara\, her wacky Uncle Drosselmeyer\, and her new friends from the Land of Sweets. The Sugarplum Fairy and her delicacies-in-waiting include crowd favorites like Miss Candy Cane\, the Dew Drop Fairy and of course Mother Ginger. With a little magic\, and plenty of humor\, North Atlantic Ballet’s The Nutcracker\, set to Tchaikovsky’s original score\, has something (including selfies) for every age\, making this a truly special family tradition. \nThe Cabot Theater \nFriday\, December 16 | 7 pm \nSaturday\, December 17 | 12 & 7 pm \nSunday\, December 18 | 12 pm \nTickets: $35-$55 \n***Performance running time is 1hr 45 min. with intermission.
URL:https://bevmain.org/event/the-nutcracker-6/
LOCATION:The Cabot\, 286 Cabot Street\, Beverly\, MA\, 01915\, United States
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GEO:42.5514727;-70.878838
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Cabot 286 Cabot Street Beverly MA 01915 United States;X-APPLE-RADIUS=500;X-TITLE=286 Cabot Street:geo:-70.878838,42.5514727
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221217T120000
DTEND;TZID=America/New_York:20221217T134500
DTSTAMP:20260603T155522
CREATED:20221101T172053Z
LAST-MODIFIED:20221101T172053Z
UID:10012880-1671278400-1671284700@bevmain.org
SUMMARY:The Nutcracker
DESCRIPTION:A holiday delight for the whole family…\nAs the holiday season rapidly approaches\, North Atlantic Ballet welcomes back our annual telling of The Nutcracker. Artistic Director Lucy Warren-Whitman consistently brings the stage to life with her contemporary twist on Clara’s journey to The Land of Sweets. Audiences delight each year in new choreography\, guest appearances\, creative costumes\, and of course our local children’s cast dancing alongside NAB’s seasoned company dancers. \nThe holiday magic culminates in the appearances of Clara\, her wacky Uncle Drosselmeyer\, and her new friends from the Land of Sweets. The Sugarplum Fairy and her delicacies-in-waiting include crowd favorites like Miss Candy Cane\, the Dew Drop Fairy and of course Mother Ginger. With a little magic\, and plenty of humor\, North Atlantic Ballet’s The Nutcracker\, set to Tchaikovsky’s original score\, has something (including selfies) for every age\, making this a truly special family tradition. \nThe Cabot Theater \nFriday\, December 16 | 7 pm \nSaturday\, December 17 | 12 & 7 pm \nSunday\, December 18 | 12 pm \nTickets: $35-$55 \n***Performance running time is 1hr 45 min. with intermission.
URL:https://bevmain.org/event/the-nutcracker-4/
LOCATION:The Cabot\, 286 Cabot Street\, Beverly\, MA\, 01915\, United States
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GEO:42.5514727;-70.878838
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221216T190000
DTEND;TZID=America/New_York:20221216T204500
DTSTAMP:20260603T155522
CREATED:20221101T172115Z
LAST-MODIFIED:20221216T162221Z
UID:10012881-1671217200-1671223500@bevmain.org
SUMMARY:The Nutcracker
DESCRIPTION:A holiday delight for the whole family…\nAs the holiday season rapidly approaches\, North Atlantic Ballet welcomes back our annual telling of The Nutcracker. Artistic Director Lucy Warren-Whitman consistently brings the stage to life with her contemporary twist on Clara’s journey to The Land of Sweets. Audiences delight each year in new choreography\, guest appearances\, creative costumes\, and of course our local children’s cast dancing alongside NAB’s seasoned company dancers. \nThe holiday magic culminates in the appearances of Clara\, her wacky Uncle Drosselmeyer\, and her new friends from the Land of Sweets. The Sugarplum Fairy and her delicacies-in-waiting include crowd favorites like Miss Candy Cane\, the Dew Drop Fairy and of course Mother Ginger. With a little magic\, and plenty of humor\, North Atlantic Ballet’s The Nutcracker\, set to Tchaikovsky’s original score\, has something (including selfies) for every age\, making this a truly special family tradition. \nThe Cabot Theater \nFriday\, December 16 | 7 pm \nSaturday\, December 17 | 12 & 7 pm \nSunday\, December 18 | 12 pm \nTickets: $35-$55 \n***Performance running time is 1hr 45 min. with intermission.
URL:https://bevmain.org/event/the-nutcracker-5/
LOCATION:The Cabot\, 286 Cabot Street\, Beverly\, MA\, 01915\, United States
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221120T190000
DTEND;TZID=America/New_York:20221120T220000
DTSTAMP:20260603T155522
CREATED:20221101T172018Z
LAST-MODIFIED:20221101T172018Z
UID:10012879-1668970800-1668981600@bevmain.org
SUMMARY:Doo Wop Project
DESCRIPTION:OLD SCHOOL\, NEW GENERATION\, CLASSIC DOO WOP TO MODERN HITS \nThe Doo Wop Project begins at the beginning: tracing the evolution of Doo Wop from the classic sound of five guys singing harmonies on a street corner to the biggest hits on the radio today. In their epic shows The Doo Wop Project takes audiences on a journey featuring foundational tunes from the Crests\, Belmonts and Flamingos through the vocal artistry of Smokey Robinson\, The Temptations\, and The Four Seasons all the way to DooWopified versions of modern hits from Michael Jackson\, Jason Mraz\, Maroon 5\, and Sam Smith. \nFeaturing stars from the Broadway hits Jersey Boys\, Motown: The Musical\, and A Bronx Tale\, The Doo Wop Project brings unparalleled authenticity of sound and vocal excellence to recreate—and in some cases entirely reimagine—the greatest music in American pop and rock history.
URL:https://bevmain.org/event/doo-wop-project/
LOCATION:The Cabot\, 286 Cabot Street\, Beverly\, MA\, 01915\, United States
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220319T190000
DTEND;TZID=America/New_York:20220319T220000
DTSTAMP:20260603T155522
CREATED:20220315T152435Z
LAST-MODIFIED:20220315T152435Z
UID:10010843-1647716400-1647727200@bevmain.org
SUMMARY:Opening Night at Off Cabot Comedy & Events
DESCRIPTION:Welcome to opening night at Off Cabot Comedy & Events! The unbelievably funny Laura Severse\, Corey Rodrigues\, and Tony V will make this a night to remember for everyone. The 7pm show is sold out\, but there are still tickets available for the 9pm show.
URL:https://bevmain.org/event/opening-night-at-off-cabot-comedy-events/
LOCATION:Off Cabot Comedy & Events\, 9 Wallis Street\, Beverly\, 01915\, United States
CATEGORIES:Comedy
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GEO:42.5481285;-70.8794388
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Off Cabot Comedy & Events 9 Wallis Street Beverly 01915 United States;X-APPLE-RADIUS=500;X-TITLE=9 Wallis Street:geo:-70.8794388,42.5481285
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210908T190000
DTEND;TZID=America/New_York:20210908T190000
DTSTAMP:20260603T155522
CREATED:20210807T154956Z
LAST-MODIFIED:20210807T154956Z
UID:10010872-1631127600-1631127600@bevmain.org
SUMMARY:Community Conversations: Hungry To Learn
DESCRIPTION:This is a free event but registration is required to attend.\nREGISTER\nCommunity Conversations are free events offered bi-monthly by The Cabot and our partners\, Leading Ladies\, to encourage discussion and promote social change on issues that matter to our community. Please join the conversation! \nOur September Community Conversations\, HUNGRY TO LEARN\, is a documentary film that sheds light on the growing issue of food and shelter insecurity among college students\, even those attending elite institutions. The cost of tuition is forcing many students of all ethnicities and socioeconomic status to choose between eating and learning. \nA conversation to follow with Annie Ciaraldi\, Assoc Dean of Student Affairs and Violence Prevention and the SPOC (Single Point of Contact) for Food and Housing Insecure Students at UMass Lowell\, along with \, Kathleen B. O’Neill\, Ed.D.\, Director\, Single Stop\, Bunker Hill Community College and SPOC re: Food Insecurity and Homelessness. \nAnne Ciaraladi\, Assoc Dean of Student Affairs and Violence Prevention and the SPOC (Single Point of Contact) for Food and Housing Insecure Students at UMass Lowell \nAbout Leading Ladies kNOw More program: kNOw MORE! is a watching\, listening\, and reading initiative started by Leading Ladies and focused on today’s social issues. We choose movies and plays to watch\, podcasts to listen to\, exhibits to view\, and books to read\, and then engage in discussions with expert moderators\, with the aim to learn more about problems that affect people every day in our country; to encourage creative actions and thoughtful solutions; and to foster empathy. \nHUNGRY TO LEARN introduces the faces behind an American crisis — college students so strapped to pay tuition that they don’t have enough money to eat or a place to live. A lack of food is just a symptom of a bigger problem\, the American Dream of a college education slipping out of reach. It is the story of how colleges\, once places for children of privilege\, opened their doors to students of limited means but failed to provide enough financial aid to allow these new students to graduate without making painful choices. This documentary is not just about the devastating hunger crisis unfolding on American campuses\, it is about what can — and should — be done about it.
URL:https://bevmain.org/event/big-head-todd-and-the-monsters/
LOCATION:The Cabot\, 286 Cabot Street\, Beverly\, MA\, 01915\, United States
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GEO:42.5514727;-70.878838
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Cabot 286 Cabot Street Beverly MA 01915 United States;X-APPLE-RADIUS=500;X-TITLE=286 Cabot Street:geo:-70.878838,42.5514727
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